Harvard University students staged a protest at the Arthur M. Harvard students demand the college strip the Sackler name from one of its museums. The location’s final rounds of programming will include a site-specific pastel mural by Nicolas Party. One show, for example, paired works by Claude Monet with Olafur Eliasson, while another juxtaposed Old Master paintings with recent works by Salman Toor, Toyin Ojih Odutola, and Doron Langberg. The Frick’s tenure at the Breuer location was a powerful contrast between the institution’s Old Masters collection and the building’s own austere modernism, which led to an embrace of contemporary art and installations by Frick curators. The mansion will reopen to the public in late 2024. The Frick Collection will leave its temporary location on Madison Avenue and return to its historic Fifth Avenue mansion after a $160 million renovation and expansion designed by Selldorf Architects. The Frick Collection will vacate its temporary Breuer-designed building in early 2024. The towers’ shape was influenced by the factory chimneys of northern France, where Les Eaux Primordiales’ founder Arnaud Poulain grew up, as well as the work of Bernd and Hilla Becher. One tower held smellable clay sculptures infused with Les Eaux Primordiales’ latest fragrance, Cèdre Superfluide, while the other contained stills and beakers that break down the perfume’s different notes. The installation, called Expériences Immobiles, featured two 13-foot-tall timber towers resembling factory chimneys. Jesse DorrisĮxpériences Immobiles by Les Eaux Primordiales and DWA Design Studio at Milan Design Week … Les Eaux Primordiales unveiled a sniffable timber installation at Milan Design Week.ĭWA Design Studio unveiled an olfactory installation for perfumer Les Eaux Primordiales at Alcova during Milan Design Week. The installations might not follow traditional design sense, but they illuminate Dimorestudio’s sensibility loud and clear. Elsewhere, arrangements went slightly apocalyptic, with an alcove defined by a panoply of various chandeliers, chattering brightly and another violet room boasted the studio’s own limited-edition sideboard and chairs by Gio Ponti among others, along with the slightly disembodied facial sculptures of Armando Andrade Tudela. The apartment’s fireplace room was particularly successful: within its dark, mirrored walls, Dimore juxtaposed a storage unit by Achille and Pier Giacomo Castiglioni, a bookcase by Afra and Tobia Scarpa for B&B Italia, and vb.v 006, an early work made by Vanessa Beecroft, who began blurring the lines between female bodies and furniture while studying nearby at Brera. While “Silence” installed a kind of visual biography of the firm in its new Dimorecentrale location, “No Sense” took over a historic Via Solferino apartment and filled its six rooms with discombobulating combinations of work by young living artists and masterpieces courtesy of collaborator Galleria Massimo Minini. Milan Design Week had its fill of nonsense this year, but the city’s architecture and design firm Dimore celebrated its 20th anniversary with a pair of blockbuster exhibitions. Dimore Studio Welcomes Milan Inside Their Universe Have a news story our readers need to see? Submit it here. Think of it as your cheat sheet for the day in design delivered to your inbox before you’ve had your coffee. The Design Dispatch offers expertly written and essential news from the design world crafted by our dedicated team. “No Sense” by Dimore Studio at Milan Design Week.
0 Comments
Leave a Reply. |